4.3 Experiencing and observing roles in various settings and music
I have chosen examples from the following constellations/projects, which I also will present briefly as I go along:
BOL
BOL with Hans Magnus Ryan & Stian Westerhus
Åse/Strønen Duo
Åse/Duch Duo
There are some live recordings in the following that do not have an optimal quality, but I would still like to use them because they are important examples.
BOL (Photo: Geir Mogen)
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Research
- Research
- 1. Introduction
- 2. Instruments, techniques and choices
- 3. Voice and live electronics; new musical parameters
- 4. New roles for the electronic vocalist
- 5. Electronics in a vocal interplay, a project report:
- 6. Combined aesthetics: challenges in modern and genre-crossing improvisation
- 7. Voice Meetings: short story of sound
- 7.1 Background, motivation, research question and artistic idea
- 7.2 Research collaboration and methods
- 7.3 Findings and observations
- 7.4 The visual expression
- 7.5 Integrity and audience research in an artistic process
- 7.6 Further development
- 7.7 What new and useful knowledge has come out “Voice Meetings”?
- 8. Summary and outlook
- Appendix
- Download full research text
- Tone Åse – voice, live electronics and improvisation
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Anita Kaasbøll
Asle Karstad
BOL
BOL: Skylab Audiovision
Bol på Smal i Hove
Curling Legs
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Improvisation with voice
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Improvising Vocal ensemble
Ingrid Lode
John Torger Skjelstad
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Michael Duch and Tone Åse Duo
Michael Duch og Tone Åse
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vocal improvisation